Actor

Gary Oldman

Actor — born 1958-03-21 in London.

Born
March 21, 1958, 12:00, London
Birth time
Rodden XBirth time unknown — chart uses noon as placeholder.
Gary Oldman's natal chart wheelNatal chart showing 10 planets across the twelve zodiac signs.House 11House 22House 33House 44House 55House 66House 77House 88House 99House 1010House 1111House 1212Sun at 0°22' AriesMoon at 12°09' AriesMercury at 16°17' AriesUranus at 7°48' Leo retrogradeRPluto at 0°22' Virgo retrogradeRJupiter at 29°55' Libra retrogradeRNeptune at 4°16' Scorpio retrogradeRSaturn at 25°32' SagittariusMars at 3°04' AquariusVenus at 15°34' Aquarius

What an astrologer notices first

What sets Gary Oldman's chart apart is the potent Aries stellium in the 10th house, creating an actor whose career is marked by fearless exploration of challenging roles. The presence of both the Sun and Moon here speaks to a life path that is intensely tied to public achievement, suggesting that Oldman's relentless pursuit of excellence and innovation in his craft is not merely a choice but a fundamental aspect of his identity. This celestial arrangement gives him an edge in the competitive world of acting, making him a force to be reckoned with.

The reading

Gary Oldman's chart is immediately striking with its strong Aries presence, fronted by a Sun-Moon-Mercury conjunction in the 10th house. This suggests a life driven by a fierce individuality and an impassioned approach to his craft, often expressed in the public eye. The Aries Sun, bolstered by the Moon and Mercury, speaks to a relentless drive and an unyielding spirit that has likely fueled his storied career as an actor. His chart suggests a complex character, one who is both a leader and a maverick, unafraid to dive into roles that demand depth and intensity. The Sun's trine to Uranus in Leo implies a penchant for the unconventional and a readiness to surprise audiences with each performance. Here is an actor not content with the ordinary, but one who seeks new frontiers in his artistic expression, propelled by the fiery force of Aries and a creative boldness marked by Leo's influence.

Placement by placement

What each part of the chart shows

Sun in Aries

The Sun in Aries in the 10th house indicates an ambitious and pioneering spirit. Oldman's career in acting aligns with this placement, suggesting a relentless drive for success and a willingness to lead. His choice of diverse and challenging roles reflects the Aries penchant for trailblazing and forging new paths.

Moon in Aries

With the Moon in Aries also in the 10th house, emotional fulfillment is closely tied to professional achievements. This placement suggests an instinctive drive and a need for action, fueling Oldman's ability to immerse himself fully into his characters. His performances are likely charged with an emotional intensity that resonates with audiences.

Mercury in Aries

Mercury in Aries in the 10th house supports quick thinking and a direct communication style. Oldman's ability to deliver sharp, articulate dialogue with conviction is reflected here. This position favors a keen intellect and the desire to express thoughts boldly, often helping him to stand out in complex roles.

Venus in Aquarius

Venus in Aquarius in the 8th house suggests a unique approach to relationships and creativity, favoring depth and transformation. This adds an unconventional edge to Oldman's performances, where he often explores themes of change and rebirth, perhaps reflecting his own evolving artistic values.

Mars in Aquarius

Mars in Aquarius in the 7th house suggests a dynamic and innovative approach to partnerships and collaborations. Oldman might thrive in roles that demand teamwork yet allow for individuality. His work may be characterized by a progressive outlook, often challenging societal norms through his choice of characters.

Ascendant in Cancer

The Cancer Ascendant gives Oldman a sensitivity and intuitive understanding of emotions, which likely enhances his ability to connect with audiences. This rising sign suggests a nurturing demeanor and may mask the fiery Aries drive with a more approachable, empathetic exterior.

The pattern

How the chart maps to the life

Gary Oldman's chart paints the picture of an actor whose career is both dynamic and unpredictable, a person who embodies the roles he plays with an intensity that leaves a lasting impression. The Aries Sun, Moon, and Mercury trio in the 10th house suggest a public persona driven by a need for recognition and an unyielding desire to excel. This may explain his willingness to take on challenging roles, such as his transformative performances in 'Sid and Nancy' and 'Darkest Hour,' where he doesn't merely act but inhabits his characters. The Sun's trine to Uranus in Leo provides him with a touch of eccentricity and a penchant for the avant-garde, often seen in his selection of roles that defy conventional heroism or villainy. Meanwhile, the Cancer Ascendant softens his public image, allowing him to connect deeply with his audience, an essential trait for someone who has portrayed a wide spectrum of characters, from historical figures to complex antagonists. The blend of Aries fire and Cancer water in his chart might explain the emotional depth and vulnerability he brings to the screen, offering a captivating complexity that keeps his audience engaged and guessing.

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Same date

Also born on March 21

Public figures sharing the same calendar date as Gary — same Sun degree band, same dominant life path, same date signature.

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Full chart data

All planetary positions

  • Sun0°22' AriesH10
  • Moon12°09' AriesH10
  • Mercury16°17' AriesH10
  • Venus15°34' AquariusH8
  • Mars3°04' AquariusH7
  • Jupiter29°55' LibraH4
  • Saturn25°32' SagittariusH6
  • Uranus7°48' LeoH1
  • Neptune4°16' ScorpioH4
  • Pluto0°22' VirgoH2
  • North Node3°10' ScorpioH4
  • Chiron20°29' AquariusH8
  • Lilith3°19' AriesH10
  • South Node3°10' TaurusH10

Questions people ask

Gary's birth chart, the questions people ask

  • Sun and Moon both in Aries. When the Sun and Moon occupy the same sign, the conscious drive and the emotional need are running on the same fuel — there is no internal negotiation between what a person wants to do and what they need to feel safe doing. In Aries, that unified fuel is pure impulse toward action. Aries does not observe from a distance; it occupies. For an actor, this produces someone who does not layer a character on top of himself but actually moves into the character's center of gravity and operates from there. Cancer Rising handles the outer presentation — it is a shape-shifting Ascendant, naturally permeable to emotional atmosphere — which makes the physical container available to whatever Aries is currently inhabiting. The result is total commitment with no visible seam.

  • Mercury in Aries is the placement doing most of the work here. Mercury governs how a person thinks, communicates, and processes information, and in Aries it runs fast, direct, and without much tolerance for circling the point. Mercury in Aries does not draft; it fires. On a film set, this reads as someone who arrives at a decision quickly, states it plainly, and finds deliberation-by-committee genuinely frustrating. Sun in Aries reinforces this — Aries Sun needs to be in motion, and anything that stalls motion registers as an obstacle rather than a process. The intensity people describe is less about volatility and more about compression: a person whose thinking and doing are both set to the same fast clock, watching the room move slower than they do.

  • Venus in Aquarius is the headline. Venus in Aquarius routes attraction through concept — it gets drawn to people who represent a particular intellectual world or creative position before it gets drawn to anything else. The emotional warmth that other Venus placements lead with is not absent here; it is just downstream of the idea. Mars in Aquarius sits in the same sign, which means the drive and the desire are both operating on Aquarian logic: freedom of movement, resistance to possession, attraction to the unconventional. What this combination produces in practice is someone who connects deeply through shared thinking but who does not respond well to relationships that become confining. The five marriages in the public record are consistent with Venus-Mars in Aquarius cycling through conceptual frames rather than building incrementally on one.

  • Cancer Rising is the relevant placement. Cancer Ascendant is the outer shell the world sees first, and Cancer's shell function is literal — it presents a soft, somewhat guarded exterior that does not immediately broadcast what is underneath. People with Cancer Rising are frequently read as shy, reserved, or hard to reach on first contact. What is actually happening is that the Ascendant is running its protective function while the interior — in Oldman's case, a Sun-Moon-Mercury stack in Aries — waits to establish safety before engaging fully. The shyness is not performance and it is not inaccurate, but it is also not the whole picture. Once the Cancer Rising determines the environment is not threatening, the Aries underneath it becomes visible, and the two read as almost contradictory to people who have only seen one side.

  • Moon in Aries is the placement most people overlook here. The Moon governs emotional need — what a person requires to feel functional and alive. In Aries, the Moon needs challenge, friction, and the experience of pushing against a limit. Routine emotional environments do not register as safe to a Moon in Aries; they register as stagnant. For an actor, this means the roles that feel satisfying are the ones that require genuine risk — physical, psychological, or reputational. A comfortable role does not feed the Moon. Sun in Aries doubles this: the Aries Sun needs to prove capacity through direct confrontation with difficulty. Oldman's career pattern of choosing Churchill, Beethoven, Dracula, Commissioner Gordon — the range is not eccentricity. It is the chart looking for the next thing that will actually cost something.

  • Cancer Rising in the interview context, Aries Sun-Moon in the work context. The Ascendant is what operates in unfamiliar social situations — press junkets, talk shows, public appearances — and Cancer Rising in those settings is careful, somewhat deflecting, and emotionally self-protective. It gives the impression of someone who is present but not fully available. The Aries stellium — Sun, Moon, and Mercury all in the same sign — is the version that shows up when the work has already defined the terms. In a role, the frame is set; Aries can move inside it without exposure. In an interview, there is no frame, which means Cancer Rising holds the perimeter. The two versions are not contradictory. They are the same chart operating in different conditions.

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Gary Oldman · March 21, 1958 · What March 21 means