Actor

Clark Gable

Actor — born 1901-02-01 in Cadiz.

Born
February 1, 1901, 12:00, Cadiz
Birth time
Rodden XBirth time unknown — chart uses noon as placeholder.
Clark Gable's natal chart wheelNatal chart showing 10 planets across the twelve zodiac signs.House 11House 22House 33House 44House 55House 66House 77House 88House 99House 1010House 1111House 1212Pluto at 15°49' Gemini retrogradeRNeptune at 26°46' Gemini retrogradeRMoon at 19°30' CancerMars at 10°03' Virgo retrogradeRUranus at 15°52' SagittariusJupiter at 2°47' CapricornSaturn at 11°19' CapricornVenus at 20°16' CapricornSun at 12°13' AquariusMercury at 19°53' Aquarius

What an astrologer notices first

What sets Clark Gable's chart apart is the striking conjunction of his Sun and Mercury in Aquarius, both positioned prominently in the tenth house. This combination fosters a rare blend of intellectual acuity and public influence, marking him as a unique voice in cinema. It's a configuration that suggests someone who not only spoke with authority but whose ideas and methods were ahead of their time, leaving an indelible mark on the industry and culture at large.

The reading

Clark Gable's chart speaks with an authoritative blend of air and earth, a commanding presence rooted in his Aquarius Sun in the tenth house. This placement suggests a life path that naturally gravitates toward public roles where innovation and independence shine. Gable's Sun, tightly conjunct Mercury, indicates a sharp mind and charismatic communication style, qualities that undoubtedly contributed to his magnetism on screen. With a Midheaven also in Aquarius, his career was likely marked by a desire to break away from tradition, infusing his roles with a unique touch that resonated with audiences. This celestial combination suggests someone who was both a trailblazer and a steadfast figure in the Hollywood landscape, embodying both the unpredictability and the gravitas of his era.

Placement by placement

What each part of the chart shows

Sun in Aquarius · house 10

The Sun in Aquarius in the tenth house suggests a public persona driven by innovation and a desire to stand out. Gable's career in Hollywood, where he was often seen as the 'King of Hollywood,' mirrors this placement's call to be a leader and trendsetter. His roles often carried an air of authority and distinctive charm, which aligned with his celestial blueprint.

Moon in Cancer · house 3

The Moon in Cancer in the third house reflects a deeply intuitive and emotionally perceptive nature. This placement often signifies someone who communicates with warmth and depth, allowing Gable to connect with audiences on an emotional level. It suggests a man who could project vulnerability beneath his rugged exterior, offering a complexity that enriched his performances.

Mercury in Aquarius · house 10

Mercury in Aquarius in the tenth house reveals a quick-thinking, articulate communicator whose ideas often challenged the norm. Gable's ability to deliver lines with a blend of intelligence and wit likely stemmed from this placement, enhancing his appeal and setting him apart as a sophisticated leading man.

Venus in Capricorn · house 9

With Venus in Capricorn in the ninth house, Gable's approach to love and aesthetics was likely mature and disciplined, yet expansive. This placement suggests an appreciation for tradition and ambition, mirroring his steady rise in Hollywood and the respect he commanded in his roles. His romantic escapades, though numerous, were often marked by a search for depth and meaning.

Mars in Virgo · house 5

Mars in Virgo in the fifth house points to a methodical and precise approach to creativity and romance. Gable's performances were known for their attention to detail and nuanced delivery, reflecting the analytical nature of this placement. His passion was not just for acting but for perfecting his craft, which was evident in his enduring legacy.

Ascendant in Gemini

A Gemini Ascendant suggests a persona that is adaptable, engaging, and endlessly curious. This rising sign may have contributed to Gable's versatility as an actor and his ability to navigate the ever-changing landscape of Hollywood with ease. His charm and wit were likely amplified by this airy ascendant, making him a captivating presence both on and off the screen.

The pattern

How the chart maps to the life

Clark Gable's chart is a tapestry of innovation, discipline, and emotional resonance, weaving together a life that was both pioneering and grounded. The Aquarius Sun in the tenth house not only propelled him into the limelight but also ensured that he remained an enduring figure in the film industry, often seen as a symbol of pioneering spirit in a rapidly evolving Hollywood. His role in 'Gone with the Wind' exemplified his ability to captivate audiences, a skill underscored by his Mercury in Aquarius, enabling him to articulate complex characters with ease. Meanwhile, the Moon in Cancer provided him with the emotional depth and sensitivity that made his performances relatable and memorable. Gable's Venus in Capricorn suggests a disciplined approach to his career, marked by strategic choices that solidified his status as a leading man. His Mars in Virgo would have driven him to refine his craft meticulously, ensuring that his performances were not just charismatic but also technically precise. Together, these placements paint a picture of a man who was not just a star but a dedicated craftsman, whose influence and charm were both timeless and transformative.

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Same date

Also born on February 1

Public figures sharing the same calendar date as Clark — same Sun degree band, same dominant life path, same date signature.

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Full chart data

All planetary positions

  • Sun12°13' AquariusH10
  • Moon19°30' CancerH3
  • Mercury19°53' AquariusH10
  • Venus20°16' CapricornH9
  • Mars10°03' VirgoH5
  • Jupiter2°47' CapricornH8
  • Saturn11°19' CapricornH8
  • Uranus15°52' SagittariusH7
  • Neptune26°46' GeminiH2
  • Pluto15°49' GeminiH1
  • North Node28°09' ScorpioH6
  • Chiron1°55' CapricornH8
  • Lilith18°42' LibraH6
  • South Node28°09' TaurusH12

Questions people ask

Clark's birth chart, the questions people ask

  • The chart is built on a specific tension most people miss. Aquarius Sun gives him the detachment — the part that observes a room rather than needing it, that holds people at a conceptual distance even while charming them. But the Cancer Moon underneath that is doing the actual feeling, and Cancer Moons feel everything, archive everything, and do not easily let go of what hurt them. Gemini Rising is the surface the public got: quick, adaptable, socially fluent, able to read a room and give it what it wants. The three of them together produce a man who could be enormously warm and simultaneously very hard to actually reach. The warmth was real. So was the wall behind it.

  • Gemini Rising handles this directly. The Rising is the part of the chart that manages first impressions and physical presence, and Gemini Rising is built for responsiveness — it mirrors, it adapts, it finds the frequency the other person is broadcasting and matches it. On camera, that reads as ease. The audience feels met. What Gemini Rising is actually doing is processing social information fast and adjusting in real time. Pair that with Mercury in Aquarius, which thinks in patterns and delivers ideas with a kind of cool precision, and you get someone whose communication never feels effortful or needy. The charm worked because it was not performing effort. It was genuinely fast.

  • Venus in Capricorn is the placement that explains the most here. Venus in Capricorn does not route attraction through feeling first — it routes through structure, through what a relationship represents, through whether a person fits the life being built. It is not a cold placement, but it is a deliberate one. Commitment means something to Capricorn Venus precisely because it is not given easily. The Cancer Moon complicates this: the Moon wants emotional fusion and security, wants to be known and held. So you get a man who was selective about who got close, who took partnership seriously once he chose it, but whose emotional needs ran deeper than the Venus in Capricorn exterior suggested.

  • Mars in Virgo is the engine behind that composure. Mars governs how a person applies energy, pursues goals, and handles conflict, and in Virgo it routes all of that through precision and preparation. Mars in Virgo does not act until it has assessed. It does not raise its voice when a calibrated response will work better. The result in behavior is someone who appears controlled because the control is genuine — it is how the Mars actually functions, not a performance of restraint. On set, this would have read as professionalism: hitting marks, knowing the material, not wasting takes. The discipline was structural, not cultivated.

  • The Cancer Moon says the emotional availability was real. Cancer Moon is the placement that governs emotional memory and attachment, and it makes the inner life genuinely feeling-forward — these are not people who are indifferent to connection. The issue is the Aquarius Sun sitting on top of it. Aquarius Sun processes experience conceptually and maintains a degree of separation as a default operating mode. It observes. It theorizes. It does not always know what to do with the raw material the Cancer Moon is generating. Here's what tends to happen with this combination: the person feels a great deal and discloses selectively, and the people closest to them often sense the depth without being able to fully access it.

  • Mars in Virgo accounts for the work ethic more than any other placement in this chart. Mars in Virgo applies effort through refinement — it is not the Mars that charges in on instinct. It works by improving, by correcting, by returning to the material until the execution matches the standard it has set internally. This is the placement that produces actors who do the homework, who know every line before the first rehearsal, who are bothered by sloppiness in a way other people find excessive. Venus in Capricorn reinforces this: Capricorn treats professional reputation as a long-term asset and does not spend it carelessly. The combination produced someone for whom the work itself was the point, not the attention the work generated.

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Clark Gable · February 1, 1901 · What February 1 means